Note: once again things get confusing.
Brave is officially a Pixar film, but by this stage Disney and Pixar were
really the same thing, different in name only, and Brave is more of a Disney
film in concept and story than it is a Pixar one. Merida is occasionally referred to
as Pixar’s first Princess, but she has also been added to the Disney Princess
franchise. So I’m counting Brave as a Disney film here.
Personal Overview: when I first started
hearing about Brave I wondered what fairy tale it had been based on, only to
find out that it was an original story written by the director Brenda Chapman,
the first female to direct a feature length Pixar film.
The casting all sounded really promising and had an all star cast.
Billy Connolly as King Fergus of Dunbroch. Connolly is always good value and
they let him do what he does best; be Scottish and shout amusingly. Kelly
Macdonald as Merida, Kelly Macdonald is best known for playing Helena Ravenclaw
in Harry Potter and the Deathly Hallows and Margaret Schroeder in Boardwalk
Empire (Kelly Macdonald is Scottish, but Margaret is Irish). Craig Ferguson
(famous for voicing Dobber in How to Train Your Dragon and playing Mr Wick from The Drew
Carey Show), Kevin McKidd (Vorenus in Rome) and Robbie Coltrane (Hagrid from the Harry Potter films and Valentin Zukovsky in two Pierce Brosnan Bond films) all Scottish
actors were cast in minor roles, except for Pixar regular John Katzenberger. I didn’t have an issue with casting Emma Thompson (I adore Emma Thompson) as Merida’s refined mother Eleanor and Julie
Walters as the Witch, but I did wonder why they couldn’t have also cast
Scottish actors in those roles.
The film is about the attempts of Eleanor
and Fergus to marry Merida off to one of the sons of local clans to keep peace
within the kingdom. They never say how old Merida is, but I’d put her at 16,
which for the time they’re portraying does make sense. Merida is a highly
spirited and headstrong young woman and isn’t having any of this being married
off against her will.
When Eleanor tries to explain why this is
necessary to her daughter there’s a blazing row, a tapestry is torn and Merida
runs off on her Clydesdale; Angus, where she comes across a Witch (woodcarver)
in the forest and procures a spell in the form of a cake (shades of Snow White
and the poisoned apple there) which will ‘change’ her mother.
Of course these things are never what they
seem, and the change turns Eleanor into a bear. Bears aren’t welcome in the
castle. Fergus wears a bearskin cloak, he has at least one stuffed one in the
great hall and he lost a leg to a giant rogue bear known as Mor’du.
Once Merida and her mother the bear work
out what’s happened they try to find the Witch again. She’s gone off to a fair
and won’t be back until spring. She leaves a message though that says to
reverse the spell Merida has to mend that which was torn. She thinks this means
the tapestry she tore when arguing with Eleanor, but the real thing that has to
be fixed is the bond with her mother. Both tapestry and mother daughter bond
are mended when Eleanor gets to know her daughter better as a bear than she did
as a Queen and then puts her own life at risk to save Merida from the rampaging
Mor’du.
There’s also some great comedy relief from
Merida’s triplet brothers. Three silent, havoc causing redheads.
Hero/es: for me there are two. One of them
is Merida, but I was more on the side of Eleanor. She appears cold and distant,
but she’s really only trying to do what is best for the kingdom and, to her
mind, Merida herself. Merida is the main character, but she’s not all that
likeable. She’s supposed to be a ‘modern Princess’, but I would have preferred
her to be more like Rapunzel. I can kind of understand Eleanor’s exasperation.
Merida doesn’t listen, she’s frequently self centred, short sighted and even
tries to change her mother by magic in a piece of remarkable gullibility and
selfishness. She can stand up for herself, survive in the wild, good shot with
an arrow, but needs to do a lot of growing up.
Villain/s: it’s kind of villainless. I
guess Mor’du gets the ‘honour’. If he’d simply been a bear I could have let him
off, because he’s just behaving like a grumpy old bear, in fact if he’d been a
bear I may have even felt sorry for him. He’s old, he’s been shot a number of
times, lost an eye, no wonder he’s crabby. However the bear is actually the
cover for an ancient ambitious and mean prince who became bitter that he as the
oldest didn’t inherit the entire kingdom when his father died, but instead had
to split it between he and his brothers. The Witch could be seen as a villain,
after all it is her spell and she is a Witch, however she did what she did to
teach Merida a very valuable lesson, and she’s also highly amusing.
Cuteness Factor: it doesn’t sound like
there’s a whole lot of cute here. Lots of funny (Fergus pretending to be Merida
in a conversation with Eleanor, Eleanor as a bear and still trying to be the
elegant queen, the incomprehensible Young MacGuffin), there is however a
generous helping of cute. It comes in the forms of Harris, Hubert and Hamish,
Merida’s irrepressible redheaded triplet brothers. They’re pretty cute as kids,
although the maid Maudie from whom they are always stealing food may beg to
differ, but as tiny bears (yes they ate the rest of the cake that Eleanor left)
they are almost too cute for words.
Animation: this is Pixar and that means it
is quality. It’s incredibly lifelike, it’s brightly colourful and you almost
feel you could step into it. You can feel the grass under your feet and the
water on your skin. You can smell the flowers. The sequence with the arrow is
absolutely amazing. They had a job with Merida’s wild red hair, too.
Final Words: I quite like Brave. It had a
sense of fun, although Merida did annoy me at times. I was glad she was made
into a Princess, although not so happy that they tried to tame her after, and
she’s the wild highland Princess for mine. I can’t get over the feeling that
although it’s officially a Pixar film that in so many others ways it is pure
Disney. Two of the songs: Touch the Sky and Song of Mor’du are two of my
favourite ‘Disney’ songs. I also have to mention Fergus and Eleanor as the best
Disney Princess parents ever. They’re real, they have depth, they’re believable. If you
got through most of the Princess’ parents they’re not particularly well drawn
or developed. They’re usually shuffled off to the side as something rather
inconvenient that Disney just didn’t want to deal with.
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